Henri Fantin-Latour
French 1836-1904
Henri Fantin Latour Locations
Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography. Related Paintings of Henri Fantin-Latour :. | White Roses, Chrysanthemums in a Vase, Peaches and Grapes on a Table with a White Tablecloth | Glazen schaal met witte en blauwe druiven, perziken en pruimen. | Golgotha(copy after Veronese) | Still Life 1 | Stilleben mit Pfirsischen | Related Artists: Natoire, Charles JosephFrench, 1700-77
French painter, draughtsman and teacher, active also in Italy. An exact contemporary of Fran?ois Boucher, he was a painter of cabinet pictures, decorations and tapestry cartoons and one of the most adept practitioners of Rococo art in 18th-century France. The greater part of his career was spent in Paris, where he received important commissions from Louis XV as well as from private patrons. In 1751 he accepted the post of Director of the Acad?mie de France in Rome. Thomas Wilmer Dewing1851-1938
Thomas Wilmer Dewing Gallery
was an American painter working at the turn of the 20th century. He was born in Newton Lower Falls, Massachusetts. He studied at the Acad??mie Julian in Paris, and later settled into a studio in New York City. He married Maria Oakey Dewing, an accomplished painter with extensive formal art training and familial links with the art world.
He is best known for his tonalist paintings, a sub-genre of American art that was rooted in English Aestheticism. Dewing's preferred vehicle of artistic expression is the female figure. Often seated playing instruments, writing letters, or engaged in other impassive actions and situated in gauzy, dreamy interiors, the figures remain remote and distant to the viewer. These scenes are infused with a color that pervades the entire picture, setting tone and mood. The ethereal delicacy and subtle color harmonies of Dewing's paintings have not met with universal approval: some feminist critics have lambasted Dewing's work as being misogynistic; he rarely painted anything other than the female figure, vacant of expression, languishing in sumptuous clothing.
Tonalism quickly came to be considered outdated with the advent of modernism and abstraction in art, though Dewing was successful in his own day. His art was considered extremely elegant, and has undergone a subtle revival in the last 10 years or so.
Dewing was a member of the Ten American Painters, a group of American Impressionists who seceded from the Society of American Artists in 1897.
He spent his summers at the art colony in Cornish, New Hampshire. Laurens CraenLaurens Craen (c. 1620, The Hague - c.1670, Middelburg ), was a Dutch Golden Age painter.
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